The Dallas Museum of Art has produced many beautifully designed, lavishly illustrated publications and brochures. Fascinating scholarly essays, arresting color plates, and numerous figural illustrations will delight and inform members, visitors, and scholars alike. Visit the Museum Storefor a list of publications with price, availability, and ordering information.
We invite you to click on the links below to access online versions of featured publications, along with further links to collection records, videos of lectures and discussions, and more.
Impressionism and Post-Impressionism at the Dallas Museum of Art offers a series of intimate case studies in the history of 19th-century European art. Inspired by a series of public lectures given at the Dallas Museum of Art between 2009 and 2013, the volume comprises twelve beautifully illustrated essays from leading academics and museum specialists. Opening with a new reading of one of Gustave Courbet’s great hunting scenes, The Fox in the Snow, and ending with an exploration of a group of interior scenes by Edouard Vuillard, each essay stands alone as a richly contextualized reading of a single work or group of works by one artist. The authors approach their subjects from a range of methodological perspectives, but all pay close attention to the experience of making and viewing works of art.
The events associated with John F. Kennedy’s death are etched into our nation’s memory. This fascinating book tells a less familiar part of the story, about a special art exhibition organized by a group of Fort Worth citizens. On November 21, 1963, the Kennedys arrived in Fort Worth around midnight, making their way to Suite 850 of the Hotel Texas. There, installed in their honor, was an intimate exhibition that included works by Monet, Van Gogh, Marin, Eakins, and Picasso. Due to the late hour, it was not until the following morning that the couple viewed the exhibition and phoned one of the principal organizers, Ruth Carter Johnson, to offer thanks. Mrs. Kennedy indicated that she wished she could stay longer to admire the beautiful works. The couple was due to depart for Dallas, and the rest is history.
From teaspoons to cocktail shakers and unique objects made for New York World’s Fairs, this stunning book examines the influence of modernism upon industrially produced silverware made in the United States from 1925 to 2000.
This beautiful book tells the fascinating story of The Icebergs and provides a detailed look at the cycle of fame, neglect, and resuscitation of both this masterwork and Church’s career. Drawing on extensive interviews with many of the people involved with the painting’s rediscovery, sale, and eventual donation to the Dallas Museum of Art, the author considers the way marketing has defined The Icebergs.
Since the late 1980s, Jim Hodges' poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist. Examining over 25 years of his artistic career, this uniquely designed catalogue weaves together the voices of many to situate the artist's work within issues of identity, social activism, illness, beauty, generosity and death.
Gustav Stickley and the American Arts & Crafts Movement accompanies the first nationally touring exhibition of Stickley’s work and explores his dual roles as a visionary business leader and enthusiastic proselytizer of design reform. The full range of Stickley’s workshops is illuminated, including more than 100 objects of furniture, metalwork, and textiles, as well as architectural drawings and related designs, many of which are previously unpublished. Essays by distinguished contributors provide diverse viewpoints on the Arts and Crafts movement and Stickley's evolving role as tastemaker, and the often contradictory messages conveyed through the construction and promotion of his designers’ works.
Celebrating and documenting 50 years of North Texas’ bold and distinctive contemporary art community, this digital publication is organized by neighborhood and focuses on seven Dallas communities to trace the unique development of contemporary art in each geographic area and their collective contribution toward making Dallas the vibrant arts center it is today.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.