Tickets for Dior: From Paris to the World Go on Sale April 15 to the Public
Exhibition Will Celebrate More Than 70 Years of the French House’s Legacy and Influence
And Include New Looks Exclusive to the DMA Presentation
Dallas, TX – March 18, 2019 – The Dallas Museum of Art (DMA) will present Dior: From Paris to the World, which surveys more than 70 years of the House of Dior’s legacy and global influence, after its enormously successful debut at the Denver Art Museum (DAM). Opening in Dallas on May 19, the exhibition will now feature a selection of new looks from Dior, including vintage couture by Christian Dior and Yves Saint Laurent, and updated works from Maria Grazia Chiuri, which will be seen for the first time in the Dallas presentation. The DMA is the only other US venue for this extensive and highly anticipated retrospective of the celebrated haute couture house, described by the Wall Street Journal as “an epic enterprise . . . timelessly elegant yet avant-garde.” The exhibition in Dallas is presented by PNC with leadership support provided by Nancy C. and Richard R. Rogers.
Tickets for Dior: From Paris to the World will go on sale to the public on April 15 at DMA.org. DMA Members will have access to a pre-sale to reserve their free tickets. Due to the popularity of the exhibition and the high number of expected visitors, all visitors and DMA Members must have a timed ticket. When the exhibition opens to the public on May 19, the Tuesday–Thursday weekday ticket price for adults will be $20 and tickets for Friday–Sunday will be $25.
Dior: From Paris to the World will feature a selection of more than a hundred haute couture dresses, as well as accessories, photographs, original sketches, runway videos and other archival material, and trace the history of the iconic haute couture fashion house. Dior: From Paris to the World also will profile its founder, Christian Dior, and subsequent artistic directors, including Yves Saint Laurent (1958–1960), Marc Bohan (1961–1989), Gianfranco Ferré (1989–1996), John Galliano (1997–2011), Raf Simons (2012–2015) and Maria Grazia Chiuri (2016–present), who have carried Dior’s vision into the 21st century.
Organized by DAM and curated by Florence Müller, the DAM’s Avenir Foundation Curator of Textile Art and Fashion, the exhibition is designed by Shohei Shigematsu, OMA Partner and Director of the global firm’s New York office. Sarah Schleuning, The Margot B. Perot Senior Curator of Decorative Arts and Design at the DMA, curates the Dallas presentation. Spanning more than seven decades, this retrospective will offer a new perspective on the fashion house’s legacy following the Paris exhibition at the Musée des Arts Décoratifs.
“The House of Dior has been a legendary force in fashion and visual culture for decades and continues to be an important influence that blurs the lines between fashion and art,” said Dr. Agustín Arteaga, the DMA’s Eugene McDermott Director. “Dallas has long recognized the artistic significance of Dior, most notably when in 1947, early in his career, Christian Dior traveled here to receive the Neiman Marcus Award for distinguished Service in the Field of Fashion. We are excited to welcome this innovative creative voice back to our city and to offer DMA audiences the opportunity to be inspired by the remarkable legacy of a global icon.”
Christian Dior generated a revolution in Paris and around the globe after World War II in 1947 with his New Look collection. Dior, the art gallerist who became a celebrated couturier, completely shed the masculine silhouette that had been established during the war, expressing modern femininity with his debut collection. Dior’s sophisticated designs, featuring soft shoulders, accentuated busts, nipped waists, and dancing corolla shaped skirts, were inspired by his passion for flowers. The result was elegant feminine contours that brought a breath of fresh air to the fashion world through luxurious swaths of fabrics, revolutionary design and lavish embroidery. This marked the beginning of an epic movement in fashion history that would eventually lead to Dior successfully becoming the first worldwide couture house.
The Museum will mount this major exhibition with loans from the esteemed Dior Héritage Collection, many of which have rarely been seen outside of Europe, with additional loans from major institutions. The presentation, showcasing pivotal themes in the House of Dior’s global history, will focus on how Christian Dior cemented his fashion house’s reputation within a decade and established the house worldwide—as well as highlight how his successors adeptly incorporated their own design aesthetic.
“The history and impact of The House of Dior is the result of a convergence of several artistic directors who have made visionary, yet distinct, contributions to the French haute couture house,” said Sarah Schleuning, The Margot B. Perot Senior Curator of Decorative Arts and Design at the DMA. “The exhibition takes audiences through more than seven decades of innovation, bringing together the most exciting, dynamic, and pivotal pieces.”
Visitors also will be able to capture the unique technique of the Dior ateliers in a dramatic visual display presenting a glimpse into this secret world, including sketches, toiles, and the intricate process of embroidery. The atelier represents the heart of the house where seamstresses work with Dior’s creative directors to collaboratively bring couture to life.
Dior: From Paris to the World is organized by the Denver Art Museum in association with the Dallas Museum of Art. The exhibition in Dallas is presented by PNC with leadership support by Nancy C. and Richard R. Rogers.
“PNC has a legacy of investing in the communities we serve through support of the arts, as we understand the economic, social, and civic impacts that a thriving arts and culture community has on our city,” said Brendan McGuire, PNC regional president and head of Corporate Banking for Dallas-Ft. Worth. “The opportunity to continue our strategic partnership with the Dallas Museum of Art, as they create local access to globally renowned exhibitions, is fundamental to our work in the arts community."
Major exhibition support provided by Dior, Charlie and Moll Anderson Family Foundation, Ann and Lee Hobson, Gene and Jerry Jones Family, and Cindy Rachofsky. Additional generous support provided by Neiman Marcus, Georgina Hartland, Nasiba and Thomas Hartland-Mackie, and Highland Park Village. Marketing support provided by the Dallas Tourism Public Improvement District, Modern Luxury, and Paper City Magazines. The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.
About the Dallas Museum of Art
Established in 1903, the Dallas Museum of Art (DMA) is among the 10 largest art museums in the country and is distinguished by its commitment to research, innovation, and public engagement. At the heart of the Museum and its programs is its global collection, which encompasses more than 24,000 works and spans 5,000 years of history, representing a full range of world cultures. Located in the nation’s largest arts district, the Museum acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary events, and dramatic and dance presentations. Since the Museum’s return to free general admission in 2013, the DMA has welcomed more than 4 million visitors. For more information, visit DMA.org.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.
About OMA New York/ Shohei Shigematsu
OMA is a leading international partnership practicing architecture, urbanism and cultural analysis. Established in 2001, OMA New York has overseen the completion of the Seattle Central Library, the IIT Campus Center, the Prada New York Epicenter and Milstein Hall at Cornell University. Shohei Shigematsu is a Partner at OMA and has led the firm’s diverse portfolio in the Americas for over the last decade. His engagements in cultural venues include an extension to the National Art Museum of Quebec; the Faena Forum, a multi-purpose venue in Miami Beach; an extension to the Albright Knox Gallery in Buffalo, New York; and an event space for the Wilshire Boulevard Temple in Los Angeles. Sho also designed exhibitions for Prada, the Venice Architecture Biennale, the Metropolitan Museum of Art and the Park Avenue Armory.
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