Featuring Over 30 Works, Mid-Career Survey Explores
Wood’s Imaginative Renderings of Contemporary Life
Dallas, TX—October 11, 2018—The Dallas Museum of Art (DMA) will present the first major solo museum exhibition of work by American painter Jonas Wood. Bringing together approximately 35 works across 13 years of Wood’s career, the exhibition Jonas Wood traces the artist’s fascination with psychology, memory, and the self to shed light on a practice that is both deeply personal and universal. It will be on view exclusively at the DMA from March 24, 2019 through July 14, 2019.
“As a platform for creative expression, the DMA is always seeking to engage audiences with the most influential and exciting artists of our time,” said the DMA’s Eugene McDermott Director Dr. Agustín Arteaga. “Jonas Wood is certainly an artist whose work deserves deeper exploration and resonates with a wide audience. We are proud to provide this museum setting for a solo exhibition that further reveals his incredible skill, powers of observation, and distinct perspective on contemporary life.”
Known for his colorful and compressed depictions of the people, places, and things that populate his daily life, Los Angeles-based painter Jonas Wood (b. 1977, Boston) creates works that bear clear traces of his biography in both form and content. Wood’s grandfather was an amateur painter whose personal collection of art included works by notable modernists such as Alexander Calder, Robert Motherwell, and Helen Frankenthaler. These artists, in addition to other modern masters ranging from Henri Matisse to David Hockney, have inspired Wood’s signature use of playful geometries, bold colors, and a distinct graphic style. Wood’s family members are recurrent characters in his paintings, as are the ceramics produced by his wife, artist Shio Kusaka, stressing the importance of familial dynamics in shaping identity, a notion central to his approach.
While the artist’s works are often based on intense real-life observation, the worlds they depict are ultimately fictive, subjected to a process of manipulation through preparatory photo collages. Through this process, the places and things that the artist depicts become personifications, and the intimate becomes public—an intertwining of fact, fiction, and deeper meaning that has intensified in the digital age.
Curated by Dr. Anna Katherine Brodbeck, The Nancy and Tim Hanley Associate Curator of Contemporary Art at the DMA, Jonas Wood brings together numerous facets of Wood’s artistic production. The exhibition juxtaposes works across subject matter and chronology—including snowy New England landscapes and Japanese gardens, still lifes abundant with plant matter, richly decorated modernist interiors, and portraits of the artist and his loved ones—to provide insight into Wood’s willingness to engage with traditional genres of painting while simultaneously exploring distinctly contemporary ideas grounded in his own signature brand of image making.
Often featuring reflections and images culled from photographs, Wood’s work questions the relationship between reality and illusion in a world saturated with images. Examples included in the exhibition:
- In Face Painting (2014), an iPhone captures Wood’s daughter making herself up in a mirror, depicted in the act of art making, a familial riff on Wood’s portraits of artists Mark Grotjahn, Akio Takamori, Magdalena Suarez Frimkess, and Philip Guston included in the show.
- In The Bat/Bar Mitzvah Weekend (2016), a painting based on a photograph by Elsa Dorfman, past photographs of the family members are placed at their feet as they pose for the current session. Both are captured in the painting, making it a commentary on the relationship between painting and photography, family and aging.
- The passage of time is similarly captured in The Still Life (2007), an early work in a genre for which Wood is now well known. A skull lies atop a plinth in an illusion to the art historical motif of memento mori.
“Jonas Wood makes us reconsider the everyday. At once autobiographical and widely relevant, representational and abstract, his innovative approach to form provides a wealth of meaning that resonates with contemporary audiences who have been primed by digital culture,” said Dr. Brodbeck.
Jonas Wood is organized by the Dallas Museum of Art. The presentation is made possible by Gagosian, TWO x TWO for AIDS and Art Fund, the DMA Contemporary Art Initiative, and the Gay and Lesbian Fund for Dallas. Additional support is provided by David Kordansky Gallery, Anton Kern Gallery, Claire Dewar, Elisabeth and Panos Karpidas, Marilyn Lenox, Yusaku Maezawa, Maurice Marciano, and Jessica and Dirk Nowitzki. Support for the catalogue is provided by The Elizabeth Firestone Graham Foundation. Jonas Wood can be seen for free as part of the Museum’s general admission policy.
Jonas Wood will be accompanied by a catalogue published by the DMA and distributed by Yale University Press, which will be the first book to consider Wood’s work in a scholarly, art historical context in depth. The publication will feature approximately 60 full-color illustrations of the artist’s works. Essays by Ken Allan and organizing curator Anna Katherine Brodbeck and an interview with the artist by Hans Ulrich Obrist explore the major themes of the exhibition and situate Wood within a lineage of artists who similarly embraced quotidian imagery and pictorial flatness to tell deeper stories, such as David Hockney, Henri Matisse, and Philip Guston.
About Jonas Wood
Jonas Wood has had solo exhibitions at the Hammer Museum, Los Angeles (2010) and Lever House, New York (2013), and numerous solo exhibitions at Anton Kern Gallery, David Kordansky Gallery, Gagosian, and Shane Campbell Gallery. In 2016, Wood produced an outdoor mural for the Grand Avenue location of the Museum of Contemporary Art, Los Angeles. Museum Voorlinden, Wassenaar, Netherlands, presented a duo exhibition featuring the work of Wood and the artist Shio Kusaka in 2017–18. His work can be found in the DMA collection and the collections of The Broad, Los Angeles; Hammer Museum, Los Angeles; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Chicago; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; and the Whitney Museum of American Art, New York, among others.
Images: Jonas Wood, Snowscape with Barn, 2017, oil and acrylic on canvas, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, Courtesy the artist and David Kordansky Gallery, Los Angeles, CA, Photographer credit: Brian Forrest; Jonas Wood, Calais Drive, 2012, oil and acrylic on canvas, Yusaku Maezawa Collection, Chiba, Japan, Courtesy the artist and David Kordansky Gallery, Los Angeles, CA, Photographer credit: Brian Forrest; Jonas Wood, Jungle Kitchen, 2017, oil and acrylic on canvas, The Broad Art Foundation, Courtesy the artist and David Kordansky Gallery, Los Angeles, CA, Photographer credit: Brian Forrest; Jonas Wood, Night Bloom Still Life, 2015, oil and acrylic on canvas, Whitney Museum of American Art, New York, gift of Linda Macklowe, Courtesy the artist and Gagosian, Photographer credit: Brian Forrest.
About the Dallas Museum of Art
Established in 1903, the Dallas Museum of Art (DMA) is among the 10 largest art museums in the country and is distinguished by its commitment to research, innovation, and public engagement. At the heart of the Museum and its programs is its global collection, which encompasses more than 24,000 works and spans 5,000 years of history, representing a full range of world cultures. Located in the nation’s largest arts district, the Museum acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary events, and dramatic and dance presentations. Since the Museum’s return to free general admission in 2013, the DMA has welcomed more than 4 million visitors. For more information, visit DMA.org.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.
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