Co-organized by the Dallas Museum of Art and the Baltimore Museum of Art, this is the first U.S. exhibition in over 35 years dedicated to the Spanish artist Juan Gris. Cubism in Color: The Still Lifes of Juan Gris highlights the artist’s pioneering and revolutionary contributions to the Cubist movement by focusing on his fascination with subjects drawn from everyday life. Through more than 40 paintings and collages that span all major periods of the artist’s evolving practice, the exhibition reveals the transformation of Gris’s innovative style and principal motifs from 1911 until 1926, one year before his tragically early death at age 40. His exquisite compositions explored the boundary between abstraction and representation, tension and stasis, color and form. As a thorough examination of Gris’s still lifes, Cubism in Color provides an opportunity to reconsider the legacy of this important yet underappreciated modernist master.
Cubism in Color: The Still Lifes of Juan Gris will require a $16 ticket for adults with discounts for seniors, students, and military. DMA Members and children 11 and under are free.
See the full press release.
Cubism in Color: The Still Lifes of Juan Gris is co-organized by the Dallas Museum of Art and The Baltimore Museum of Art. Additional support is provided by the Robert Lehman Foundation. The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Arts and Culture, and the Texas Commission on the Arts.
Images: Juan Gris, Newspaper and Fruit Dish, 1916, oil on canvas, Yale University Art Gallery, Gift of Collection Société Anonyme. Photo © Yale University Art Gallery (banner: detail); Juan Gris, Newspaper and Fruit Dish, 1916, oil on canvas, Yale University Art Gallery, Gift of Collection Société Anonyme. Photo © Yale University Art Gallery; Juan Gris, Guitar and Pipe, 1913, oil and charcoal on canvas, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.; Juan Gris, Still Life before an Open Window, Place Ravignan, 1915, oil on canvas, Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950; Juan Gris, Fantômas, 1915, oil on canvas, National Gallery of Art, Washington, Chester Dale Fund; Juan Gris, The Painter’s Window, 1925, oil on canvas, Baltimore Museum of Art: Bequest of Saidie A. May. Photography by Mitro Hood