Swiss artist Nicolas Party will create a site-specific commissioned mural in the DMA’s Concourse Gallery. For this installation, the first solo US museum presentation for the artist, Party will make an all-over mural on the walls and ceiling of the Museum's main central corridor.
Spanning the 12th to early 16th centuries, Art and Nature in the Middle Ages explores the diverse modes of expression and variety of representations of nature in European medieval art, whether plant or animal, sacred or profane, real or imagined, highlighting the continuities and changes.
Daumier’s Political and Social Satire explores work exclusively from the DMA’s collection by Honoré Daumier (1808–1879), a French artist known for his caricatures lampooning politics and society in 19th-century France.
Modern Opulence in Vienna: The Wittgenstein Vitrine reveals the results of an intensive research and conservation program by exploring the conservation effort and charting the context and history of this masterwork’s design and fabrication, iconography, and provenance. The exhibition also presents new perspectives on designer Carl Otto Czeschka, his work for the Wiener Werkstätte, and the important patronage of the Wittgenstein family.
| Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries
Passages in Modern Art: 1946–1996 brings together objects from the DMA’s acclaimed contemporary collection, including recent acquisitions, rarely seen works, and newly conserved paintings and sculpture.
Drawn from the DMA’s collection, Waxed: Batik from Java presents a selection of Javanese batik made in the West and Central regions, the main batik production was centered during the 19th and early 20th centuries. Batik is a wax-resist process for dye-decorating cloth. In Indonesia, batik is especially associated with the island of Java.
Featuring nearly fifty works predominantly from the DMA’s extensive design holdings, Shaken, Stirred, Styled: The Art of the Cocktail explores the culture of cocktails and the wares in which they were prepared and served.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.