The Museum is Closed to the Public Until Further Notice
DallasSITES: Available Space
|Begin Date||2013-07-19 |
|End Date||2013-08-18 |
|Curators||Gabriel Ritter, Leigh Arnold |
|Last Harvested At||2020-04-06 |
|Credit Line||DallasSITES: Charting Contemporary Art, 1963 to Present is curated by Gabriel Ritter, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the Dallas Museum of Art, and Leigh Arnold, DMA Research Project Coordinator. The exhibition and accompanying electronic publication have been partially underwritten by a grant from the Texas Fund for Curatorial Research at The University of Texas at Dallas. Additional support for the exhibition is provided by the Contemporary Art Initiative, TWO X TWO for AIDS and Art, The Texas Fund for Curatorial Research at The University of Texas at Dallas, and The Wilhelm Harrison Family Fund. Air transportation provided by American Airlines. |
|Location||Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries |
|Organizer||Dallas Museum of Art |
|Description||DallasSITES: Available Space, a companion space to the exhibition DallasSITES: Charting Contemporary Art, 1963 to Present, is the DMA's first experimental project space located in the Museum's iconic Barrel Vault and surrounding galleries. Available Space activates the galleries with interactive components and installations representative of the current North Texas art scene. The project space will feature select artists, curators, collectives, and art educators from the community to program unique and innovative projects for the contemporary galleries, including The Art Foundation, HOMECOMING! Committee, Oil and Cotton, PerformanceSW, Dallas VIdeoFest, and Brookhaven College.
Each week in Available Space, watch videos from different Texas artists chosen by Dallas VideoFest. The videos will focus on a different decade each week.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.
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